guardare qualcuno in faccia - перевод на итальянский
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guardare qualcuno in faccia - перевод на итальянский

1967 FILM BY SERGIO SOLLIMA
Cara a Cara; Faccia a faccia

guardare qualcuno in faccia      
look someone in the face
look in the face      
v. guardare qualcuno negli occhi, guardare qualcuno in faccia
in concert         
WIKIMEDIA DISAMBIGUATION PAGE
In concert; In Concert (disambiguation); In Concert (America album); In Concert (TV series); In Concert (album)
all"unisono; insieme, di concerto, d"accordo

Определение

call-in
(call-ins)
A call-in is a programme on radio or television in which people telephone with questions or opinions and their calls are broadcast. (AM; in BRIT, use phone-in
)
...a call-in show on Los Angeles radio station KABC.
N-COUNT

Википедия

Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.